| PUBLICATIONS
BOOKS - ESSAYS
catalogs
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Sound + Art,
Edited by Baruch Gotlieb and Ji-Yoon Yang, Seoul, 2008.
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Cover Art By: New Music Graphics,
by Adrian Shaughnessy, Laurence King, London, 2008.
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Christof Migone Sound Voice Perform,
Errant Bodies Press/Museet for Samtidskunst, Roskilde
with Ground Fault Recordings, 2005.
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writings
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Tue,
Errant Bodies Press/Museet for Samtidskunst, Roskilde
with Ground Fault Recordings.
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ESSAYS - BOOKS
2008
On Off. for START STOP.,
Leonard & Bina Ellen
Gallery, Montréal, 2008. <link>
Bouche… boue… oue : une somaphonie buccale for Inter No. 98 Espaces Sonores, Québec, 2008. <link>
2005
Taciturntablism for Lieux et non-lieux
de l'art actuel, éditions Esse, Montréal. <html>
Space is the Place is the Time is the Song for Steve Heimbecker DVD catalog, Oboro, Montréal. <html>
This Quiet curatorial essay for Disquiet catalog,
Modern Fuel Gallery, Kingston. <html>
Super Infinity for Free Sample catalog (curator
Kelly Mark), MSVU Gallery, Halifax.
Christof Migone - Sound Voice Perform monograph
with CD, Errant Bodies Press/Roskilde. <html>
review of "Frictions: Sound Objects and Surfaces"
exhibition, para-para No. 017, Parachute, Montréal.
2004
The Prestidigitator: A Manual AS No. 169, Belgium.
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<pdf>
Flatus Vocis: Somatic Winds Aural Cultures, ed.
Jim Drobnick, YYZ, Toronto. <html>
Volume: a history of unsound art S:ON Sound
in Contemporary Canadian Art, ed. Nicole Gingras, Artexte.<html>
<pdf>
2003
la première et le dernier mot (excerpts)
Revue Le Quartanier 1-2003, Montréal. <html>
2002
Jocelyn Robert et l'art en noeuds libre Jocelyn
Robert Catalogue cd-rom, La Bande Vidéo. <html>
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under, the analphabête series Women
& Performance, Trafficking Boundaries issue, New York.
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Separate with Kim Dawn, Counterposes catalog,
Oboro/Display Cult, Montréal. <html>
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2001
(untitled performance) Writing Aloud: The Sonics
of Language, Errant Bodies Press. <html>
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HeadHole Experimental Sound and Radio, ed. Allen
S. Weiss, MIT Press, 2001.[reprint of 1996 text] <html>
<pdf>
2000
slippery threads Angelaki 5.1, Spring 2000. <html>
<pdf>
Ricochets XCP: Cross-Cultural Poetics, Documentaries
issue, Spring 2000. <html>
<pdf>
20 sur 20 essay on Jocelyn Robert Temporalité,
Galerie La Chambre Blanche, Québec. <html>
<pdf>
1999
Crackers Site of Sound: of Architecture and the
Ear, Errant Bodies Press, Los Angeles. <html>
Spit Women & Performance, Bodyworks issue, New
York. <html>
<pdf>
1998
je me te parle in Cahier Folie/Culture #5, 1998,
Québec. <html>
1996
HeadHole Theater Drama Review, guest ed.
Allen S. Weiss, TDR Fall 1996, New York. <html>
<pdf>
1995
Radio Immaculates On the Air catalogue, Transit,
Innsbruck. <html>
Dan Lander: Guided Tour cd liner notes, Empreintes
Digitales, Montréal. <html>
1994
The Technology of Entrapment Radio Rethink, Banff
Center for the Arts. <html>
Sound Government Canadas, Semiotext(e), New York.
[reprint of 1990 text] <html>
1993
Incessantly Radiotext(e), Semiotext(e), New York.
<html>
1992
Bruts and Bruits Sub Rosa Vol.2 No.1 Noise issue.
[text became section of Headhole, 1996] <html><pdf>
Language is the Flower of the Mouth Musicworks
53 Radiophonics and other -phonies, Toronto. <html>
<pdf>
1991
Open your mouth and let the air out with Julia
Loktev, Fifth Column, Montréal.
1990
Sound Government EAR Magazine, Radio column
for the October 1990 issue on Canada. <html>
Touch that Dial curatorial statement, SAW
Gallery, 1990, Ottawa. <html>
1989
23 theories of one second Rampike Magazine, Subterfuge
issue, Toronto. <html>
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