undo
(1997 - present)
Christof Migone & Alexandre
St-Onge
2003
disclosure documentation of 2001 performance for Surface Tension, book + compilation
CD, Errant Bodies Press, Los Angeles 2003.

2002
des tournages. recording project, unreleased. version performed at Galerie l'Oeil
de Poisson, Québec, Fall 2002.
2001
Vito
Acconci's undoing. cd release. squint fucker press. also
presented with video at kaaitheater in Bruxelles for stuttermouthface.
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disclosure.
performance for the PUBLIC SPACES/PRIVATE PLACES series curated
by Paul Couillard for FADO.
2000
un sperme qui meurt de froid en agitant faiblement sa petite
queue dans les draps d'un gamin. cd release. squint fucker press,
Montréal 2000.
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étranglement. performance with Eric Letourneau at
Casa Del Popolo, Montréal.
performance at Experimental
Intermedia, New York (curator Phil Niblock).
performance at No
Music Festival, London, Ontario. section of the live performance
release on the 6xCD Box set documenting the festival.

1999
performance with Sam Shalabi at a room under the stairs, Montréal.
performance with Michel F. Côté at the Salle Multi,
Québec.
1998
peformance at Musiques Fragiles, Constellation Room, Montréal.
performance at Le Navire Night, Radio Canada, Montréal.
(see interview -in French)
performance at Théâtre La Chapelle, Montréal.
performance at Hotel2Tango, Montréal. |
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undo live at Galerie l'Oeil de Poisson, Québec, Fall
2002 for performance of des tournages.
undo is a duo which, since its inception in 1997, explores
the barely perceptible, the unacceptable and the forgettable.
undo. delete. efface. do not.
from the No Music Festival 2000 cd booklet:
There is something about small conservative cities that engenders
a kind of resistance to the kind of provincialism one would
assume would stem from it. In London the resistance was and
remains straightforward, capitalized, shouted -a vociferous
"NO!" undo is less emphatic, in fact, it's lowercase, nevertheless
it shares the same resistant strain. We are both resisting
arrest, both heeding Beckett's warning "The thing to avoid,
I don't know why, is the spirit of system." undo is stuck
in the 'I don't know why', on stage we stuffed canned snails
into our mouths, we mined our bucal cavities for fluid sonorities,
we deranged our electronics. London did not know what to do
with us, we don't know what to do with ourselves. It was a
success. (Christof Migone)
Two mouths open toward the wide-open nothing were saying
"no" in its affirmative movement of excess. Stuffed
by dead snails, these two mouths were not even able to speak,
saying "no" by being unable to say a worda
silent speech present through its absence. Through the week,
different extreme gestures were implicitly saying destroy
softly, tenderly, absolutely. A word an infinitive
marked by the infinitewithout a subject; a work - destruction
- which is aocomplished by the work itself. (Alexandre St-Onge
writing and quoting a writer's paper about another writer
in a book he bought during the No Music Festival) |